When Alexander sits down at the piano, you know immediately — you’re watching a musician in the truest sense. His journey began in 1982 at the Central Music School of the Moscow Conservatory under Prof. N. Makarova, continued at the Tchaikovsky Conservatory, and culminated in Hannover at the Hochschule für Musik und Theater — both times studying with the legendary Vladimir Krainev. In 1999, Alexander graduated and was accepted into the solo performance program — basically, a ticket to the major leagues.
Behind him are victories at international competitions in Italy, Portugal, and Korea, plus recognition as a laureate of the “New Names” program. But here’s what really matters: over 700 concerts in the Great Hall of the Conservatory, the Bolshoi Theatre, and festivals across the US and Europe. That’s not just experience — that’s a lifetime lived on stage.
Alexander isn’t one of those teachers who just shows you “which keys to press.” He teaches performance culture, stylistic understanding, and the feeling behind the music. With him, you don’t just learn to play notes — you learn what’s actually happening in every measure.
Many of his students say they hear music differently after his lessons — deeper, more consciously. Alexander can explain complex concepts simply without dumbing down the music itself. Technique matters, but without soul it’s dead — and that’s the core principle of his teaching.
“Music isn’t a profession. It’s a state of being. Either you live inside it, or you’re just playing notes. My job is to help students not just play, but truly live on stage.”
Alexander works with students at all levels — from beginners finding their way to advanced players preparing for competitions and professional careers. He knows how to unlock potential, find the right approach for each individual, and inspire rather than break down.
After his lessons, you don’t just want to practice — you want to play. And that’s probably what matters most.